8.5#一种影像的革命：1.隐身人的设定；2.低画质油画影像；3.沿途意象的大远景和特写。和前作相比更加试验，这种完全通过人物之外的影像表述人物联结关系的确实耳目一新。

想拍安哲罗普斯的雾，又想拍塔可夫斯基的树，还想拍文德斯的疏离，结果拍成了贾樟柯的《小山回家》….

Even though this film didn’t click with me, I still fuck with it for the visual presentation and the naturalistic way it flows with the story on the road with the protagonist. It is an experience that felt intimate and strange at the same time. But I firmly believe the film would have benefited from cutting down its runtime. #SGIFF36

不想给任何好脸色。因为电影也没给我好脸色，只给了我憋闷，不知所云，模模糊糊的观影感受。用这么私人的审美记忆做公众化的表达，那我只能从我个人的感受出发。难看，不值得，时间比较重要还是。哪怕你90分钟我都给你两星。微笑脸。

9/10，年代十佳